Category Archives: Apple

Adobe updates Lightroom CC Ecosystem and Lightroom Classic | December 2017


Adobe has announced updates to the entire Lightroom CC ecosystem as well as updates to Lightroom Classic and Camera Raw.

In addition to the new features described below these updates include important bug fixes, and support for recently released cameras and lenses.

New Auto Settings, powered by Adobe Sensei

‘Auto’ has been completely reworked to create better results. Using an advanced neural network powered by Adobe Sensei, the new Auto Settings is said to produce a better photo. It does so by analysing your photo and comparing it to tens of thousands of professionally edited photos to create more pleasing images.

Lightroom Classic – Example of new Auto in action

In above example, the new auto technology has determined that Vibrance and Saturation has been applied in addition to basic tonal adjustments.

Lightroom Classic – Auto

Whether applying these colour oriented adjustments automatically will be well received is no doubt a question Adobe will be looking for feedback on. Personally, I’ve not found either to be too far from those that I would normally set myself, and am generally happy with their inclusion. Likewise, I’ve found the tone corrections the new auto applies to be very good in all but a two areas (i.e. skin tones and backlit images).

In addition to Lightroom Classic, the new Auto is available ecosystem wide, including in Lightroom CC, Lightroom CC for iOS, Lightroom CC for Android, Lightroom CC on the web, and Adobe Camera Raw (ACR).

Lightroom Classic and Adobe Camera Raw

Adobe has also made a refinement to the Colour Range Masking tool in Lightroom Classic and Camera Raw. Based on customer feedback, they’ve made it easier to remove individual sample points. You can do this by holding down the Alt (Win) or Option (Mac) key while using your mouse to select the sample point.

Additional Performance Improvements

Customers who have their cameras set to save compressed raw files might notice a speed-up in rendering previews from a new set of imported images. You may also see improvement in on-screen interactive adjustments and import/export/merge processes.

Lightroom CC on Desktop

When I published my brief overview of Lightroom CC on Desktop back in October, I mentioned that some important editing tools were missing. With this latest update two of the missing features have been added.

Tone Curve

The Tone Curve is a very popular tools used by photographers to provide advanced control over the tonality, contrast, and colour balance of an image. However, as initial adopters of Lightroom CC on Desktop quickly realised it was absent. This was a strange omission, especially since the feature has existed in the iOS and Android versions for some time now. The good news for customers who missed it is that it’s now available on the CC desktop application.

Lightroom CC on Desktop – Tone Curve

You can use either the Parametric Curve or the Point Curve modes to tune the tonality and contrast of the image. Additionally and like Lightroom Classic, you can also adjust the Red, Green, and Blue modes to modify the colour balance of the image. The Tone Curve lives next to the Auto button in the Light panel.

Split Toning

Split Toning allows you to stylise your photo through colour tints in the highlights and shadows of your image. You can use the Split Toning tool to simulate traditional black and white tints and toners like sepia or selenium toners, simulate printing on coloured paper, or create a modern stylization on colour images. Split Toning lives in the Effects panel.

Lightroom CC on Desktop – Split Tone Adjustments

Change Capture Time

Lightroom CC now lets you to adjust the capture time, for both single photos as well as a set of photos. Typically, this feature will only be used when you forgot to change your camera’s time or time zone settings.

Lightroom CC on Desktop – Capture Time Editor

To use the Capture Time editor, select a photo (or series of photos) and use the pencil icon in the Info panel to change capture time. Lightroom CC will update the capture date, and  your photos will now show up on the right date and time in the organise view.

Full Screen View

I suspect I’m in a minority when it comes to full screen view as I  have no love for same in any application. That being said, many customers find it useful, and made their feelings known soon after Lightroom CC on Desktop was launched.  Obviously, Adobe heard the complaints and full screen view is now supported. To view your photos in full screen, you can use either the F key or navigate to View-> Detail Full Screen.

Android

In addition to the new Auto settings described above, Adobe added the following to Lightroom CC on Android:

  • App Shortcuts — For Android Nougat and later devices, tap and hold on the app icon to quickly launch the app into popular modes.
  • More control for managing storage.
  • Resolved an issue that prevented some Huawei customers from importing images.
  • Resolved an issue that caused a crash for some Pixel 2 customers on export.
  • Resolved a problem that prevented some Samsung customers from installing the previous version.Bug fixes and speed improvements.

iOS

In addition to the new Auto settings described above, Adobe added the following to Lightroom CC on iOS:

  • Watermarking on export. You can now create and customise a text based watermark for use when exporting your image from Lightroom CC on iOS.
  • Improved quality to HDR capturing.
  • Layout optimized for iPhone X.
  • Bug fixes and speed improvements.

More details on the December updates to the Lightroom CC Ecosystem can be found on the Adobe Lightroom Blog page.

Adobe Lightroom CC (2015.7) and Lightroom 6.7 are now available

lr-cc-logo

Adobe’s goal for this release is to provide additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom. There are also some new features available to CC subscribers.

Note that this version of Lightroom on Mac requires the use of OSX 10.10 and greater.

New features for Lightroom CC Subscribers

Publish to Adobe Stock Contributor Site

You can now submit images directly from Lightroom CC to the new Adobe Stock Contributor Site using the new Adobe Stock Publish Service. As with the previous attempt (late 2000’s) by Adobe to encourage more customers to use their stock photo service I suspect this feature will be of interest to a small subset of  Lightroom users rather than the majority. Nevertheless, for those interested, it’s useful to be able to access the service from within Lightroom itself. For those who are inclined, it provides you with the opportunity to showcase your work to other customers directly inside Creative Cloud applications.

To get started contributing to Adobe Stock you need to go through a one-time on-boarding process in which you set up the 
plug-in.

Adobe Stock Set-up

Adobe Stock Set-up

You can use your Creative Cloud account to login as Adobe Stock contributor. 
Alternatively, if you already have an Adobe Stock account you can use your existing login. When you’ve completed the signup process, select Save in the Stock plug-in dialog.

SYNC ENHANCEMENTS

Avoiding Issue of Unwanted Duplicates

Unlike the traditional import process, Lightroom used to add duplicate copies of photos when the same photo was synced from Lightroom Mobile/Web even when it was already present in your Lightroom catalog. 
To avoid this issue, Lightroom now adds the photo being synced from cloud as a Virtual Copy referencing it to the original photo already present in your catalog. 
For example, say you already have a photo (IMAGE1.xyz) in your Lightroom catalog, but not in a synced collection, then decide to import the same photo into Lightroom web or Lightroom mobile. 
Previously you would have seen copy of IMAGE1.xyz added to your catalog. 
However, with the new behaviour, instead of adding the IMAGE1.xyz again, Lightroom will add a virtual copy for the photo. The following screenshot shows a mix of directly imported and synced photos with virtual copies used in place of duplicate originals for any synced photos.

Avoiding Issue of Unwanted Duplicates

Avoiding Issue of Unwanted Duplicates

Updates to ‘All Synced Photos’

Adobe have also made some changes (I’m not convinced it’s improvement though) that is intended to make it easier to access photos you’ve imported into Lightroom CC when on the go via Lightroom for mobile and/or Lightroom for web.

You can now drag images directly to the ‘All Synced Photographs’ collection in the Catalog panel. By doing so, the image syncs with the Creative Cloud, and ensures that you’ll be able to organise, edit, or share the photo across your mobile devices and Lightroom web. However, the workflow of removal or deletion of synced Photo/Collection is now somewhat more complicated. The options available are:

  • Delete a synced collection: a dialog box appears asking the users to decide whether to retain their photos in All Synced Photographs, or delete them from there as well, along with the collection deletion.
  • Remove a photo from All Synced Photographs: 
a dialog box appears informing the user about removal of the selected image in all synced collections as well.
Remove photo(s) from All Synced Collections

Remove photo(s) from All Synced Photographs

  • Remove a photo from a synced collection: 
a dialog box appears asking the user to decide on whether to remove the photo from All Synced Photographs as well as from the specific collection. 
No = Photo is removed only from the selected synced collection.
Yes = Photo is removed from the selected synced collection as well as All 
Synced Photographs (provided if the photo is not in any other synced collection).
Remove photo(s) from Synced Collection

Remove photo(s) from Synced Collection

Clicking on the ‘Don’t show again’ checkbox in above dialog boxes mean Lightroom remembers the previous setting.

Where would you use this feature?

Say you have a photo in a synced collection. This photo will also be present in the ‘All Synced Photos (as the photo was in a synced collection). If the image is present in ‘All Synced Photos’ you will have the option to work with them on other devices like Lightroom mobile and Lightroom web. Adobe do not want to limit the photo from being synced, if it was removed from a synced collection. Hence they have given you an option to allow the photo to be in sync (which means it’s present in the ‘All Synced Photos’), or not in sync (by removing it from ‘All Synced Photos’).

Smart Previews for Faster Performance

Since the introduction of Smart Previews in Lightroom 5.0 it has been possible to use Smart Previews in the Develop Module as a way to edit photos without having access to the original files on disk. However, astute users reported faster performance in the Development by using Smart Previews when keeping their original photos disconnected from their computer. Now, you can set a Preference in the Performance tab that will let Lightroom always use Smart Previews when available.

To use this feature,

  1. Choose Edit > Preferences.
  2. In the Preferences dialog, select the Performance tab.
  3. In the Develop section, select Use Smart Previews Instead Of Originals For Image Editing.
  4. Click OK and then restart Lightroom.

Note that when you zoom into a photo a 100% (1:1) Lightroom will automatically display the original file rather than the Smart Preview. This will allow you to accurately apply the appropriate amount of sharpening and noise reduction to the photo.

Use Smart Preview instead of originals for editing

Use Smart Preview instead of originals for editing

I expect to make good use of this feature during my upcoming trip to New England and Nova Scotia.

‘Display P3’ Colour Space Support

Adobe have added support for Apple’s ‘Display P3’ color space, adding it to the previous default set of color space profiles (sRGB, AdobeRGB, and Pro Photo RGB). ‘Display P3’ was added to the default color space/profile options in the following areas:

  • Export Dialog (File Settings > Color Space menu)
  • Soft Proofing (Develop Module > Soft Proofing > Profile menu)
  • Preferences (External Editing > Color Space menu)
  • Print to JPEG (Print Module > Print Job panel > Print To menu)
  • Book Module Export Options (Book Module > Book Settings Panel > Book 
popup > JPG/PDF)

New Camera Support

  • Apple iPad Pro 9.7′′ (wifi and cellular)
  • Apple iPhone 6s Plus
  • Apple iPhone 6s
  • 
Apple iPhone SE
  • Canon EOS 5D Mark IV*
  • 
Casio EX­ZR4000 (EX­ZR5000)
  • Hasselblad H6D­100c
  • Nikon D3400

*Note that this version supports the import and editing of jpegs, raw files and dual pixel raw files from this camera model. Adobe do not support any specific dual pixel raw functionality. If you are planning to use Dual Pixel raw files, please read this Adobe KB Doc. Add link

**Adobe has added new Adobe Standard colour profiles for the Canon EOS 5DS and Canon EOS 5DS R cameras. These versions are denoted as V2, and the v2 profiles have lower contrast than the original Adobe Standard (v1) camera profiles.

Disclosure: As an Adobe Community Professional I receive a free subscription to Adobe Creative Cloud.

Adobe release Lightroom mobile 2.4 for iOS

lr-mobile-100I normally don’t get too excited when a new version of Adobe Lightroom mobile comes along, but 2.4 is different. Why?

Well, version 2.4 includes two features that I, and I suspect many other photographers, have long been waiting for. These are Raw support  and Local Adjustments. Unfortunately, they’re only available to ‘Adobe Creative Cloud’ subscribers.

Other minor features introduced in version 2.4 that all users can avail of include:

  • support for keyboard shortcuts. This feature requires an external keyboard, and is activated by pressing down on the ‘Cmd’ key,
  • the ability to add your own copyright to photos, and
  • support for the latest Camera Raw version.

New features are all well and good, but unless instructions on how to use them are provided then users will likely struggle to understand how they work. So, taking each of the new features in turn I’ll try to explain the workflow.

Raw Support

Raw support allows you to import and edit Raw photos taken with your digital camera. These photos can then be synced back to ‘Lightroom CC’ on your desktop computer. Of course the Raw photos must first be imported onto your iPad, and it is here that things get a tad complex.

To import your Raw photos on to your iPad you’ll need to use an Apple ‘SD Camera Card Reader’ or ‘iPad Camera Connection Kit’. Depending on which version of the iPad you have you’ll need to import the Raw photos directly from the memory card or directly from your camera into the Apple Photos App ‘Camera Roll’. Either way, the SD Camera Card Reader or Camera Connection kit is essential.

Apple Photo app Import

Apple Photos App Import Camera Roll

When the Apple Photos App import process is complete you then switch to Lightroom mobile. Here you should notice that a ‘Raw’ badge overlays part of the thumbnail for each Raw photo.

Lightroom mobile - Import to 'Camera Roll' complete

Lightroom mobile – Import to ‘Camera Roll’ Complete

Next, make sure that you have enabled support for Raw photo import in Lightroom mobile. Below screen grab shows where this can be done.

Lightroom mobile - Enable Raw Photos

Lightroom mobile – Enable Raw Photos

At this point you can either select all of the imported Raw photos or a smaller number. In below example, I selected all of the Raw photos.

Lightroom mobile - Select All Raw Photos

Lightroom mobile – Select All Raw Photos

When all of the photos have been added to Lightroom mobile you’ll find that an additional badge (Lr) overlays each of the photo thumbnails.

Lightroom mobile - Completed Raw Photo Import

Lightroom mobile – Completed Raw Photo Import

If you’re satisfied that all of the Raw photos have been imported into Lightroom mobile you can delete the originals from Apple Photos App, thus saving some space on your iPad.

When an internet connection becomes available your Raw files will be synced to the Adobe Cloud and ultimately back to Lightroom desktop. If you have any other mobile devices with Lightroom mobile installed smart previews will be synced to these devices.

Local Adjustments

As with Raw support, Local Adjustments has been on my list of must have features for a very long time. In this version Adobe have chosen to include what they call Linear and Radial Selections (in Lightroom desktop these are called Graduated and Radial filters). Personally, I don’t see why Adobe didn’t stick with the names that users already know. If name changes were deemed essential then Linear and Radial Gradients are more meaningful, at least to me.

Okay, so having got my rant about naming conventions out of the way it’s time to look at each local adjustment in turn. I’ll start with the Linear Gradient, uhh, I mean Selection since it’s the default.

To activate Local Adjustments switch to Edit mode and tap on the ‘Local Adjust’ button. A new button appears on the lower left and tapping on this results in a menu popping up. It has two options at present with the top one (Linear Selection) selected by default.

Activating Local Ajustments

Activating Local Adjustments

Next, you tap on the photo where you want the centre of the gradient to be located. The width of the gradient is adjusted by dragging the top or bottom line up/down, and the centre of the gradient can be reposition by dragging the black dot up or down the screen. Additional gradients can be created by tapping on the ‘+‘ button at top left of screen, and the ‘trashcan’ is used to remove a gradient.

Local Adjustments - 'Linear Selection'

Local Adjustments – ‘Linear Selection’ Tool

Next up, the Radial Selection tool. I find this tool is particularly useful for edge burning portraits, although it has its uses in other types of photo.

Radial Selection Tool

Local Adjustments – ‘Radial Selection’ Tool

The Radial Selection tool is activated and the gradient positioned in the same way as the Linear Selection. At top left of screen you’ll see an additional button. This button allows you switch the gradient from inside the selection to outside and vice versa. To increase  the feathering (soften edge) of the gradient drag the larger handle point on the selection counterclockwise, and clockwise to to harden the edge. (Note: in above and below screen grabs the handle point is on top edge of photo.)

Local Adjustments -

Local Adjustments – Reduced Exposure Outside of Selection

Both Linear and Radial  selection tools support the full range of slider adjustments currently available in Lightroom mobile.

So, having described the two new features I was so keen to see introduced I posed myself a question –  Do I think Raw support and Local Adjustments means that Lightroom mobile is now ready for the ‘big time’? Sadly, I don’t believe so, at least not just yet. Sure, both features are very welcome and certainly make Lightroom mobile more useful to me than before. On the other hand, some photographers might have a different workflow or less demanding requirements. For example, if your iPad has sufficient space to store the imported Raw photos then leaving your laptop at home while on a short vacation might be OK. For longer holidays or large professional photo shoots I think many will likely find the iPad short of storage capacity. Also, syncing photos to the ‘Adobe Cloud’ and later Lightroom on your desktop computer means that sufficient bandwidth will be essential both on location and at home/office. This means that if you’re a professional or advanced amateur  photographer you’ll likely find that  taking a laptop on location/holiday still provides a much more productive and efficient workflow than mobile. To be fair, I don’t think the Lightroom mobile development team see it as the ‘laptop killer’ yet, but it’s certainly getting closer.

Disclosure: As an Adobe Community Professional I receive a free subscription to Adobe Creative Cloud.