Category Archives: Photoshop

Celebrating 25 Years of Adobe Photoshop

It’s hard to believe that 25  years ago today that Adobe Photoshop was first released. Photoshop is one of the most recognised software brands in the world with tens of millions of users, and is the go-to application for digital image manipulation across all media: from print, to film, to the Web. Photoshop features — such as Layers, The Healing Brush, Content Aware Fill and Camera Raw — have empowered creatives to produce their best work. Photoshop technology is also at the heart of Adobe Lightroom, essential software for both professional and amateur photographers. And to meet the needs of today’s visual artists, Photoshop and Lightroom mobile apps enable creatives to work on image files seamlessly across desktop computers, tablets and smartphones.

To celebrate the milestone, Adobe is showcasing the most creative visual artists who use Photoshop with Photoshop 25 Under 25. To be considered, artists may upload their projects to Behance and use the tag “Ps25Under25.”  In the coming months, those selected will present their work over the Photoshop Instagram handle (@Photoshop) for two weeks.  

Adobe company is today launching an advertising campaign, “Dream On”, for The Academy Awards — as a tribute to 25 years of amazing art created in Photoshop. The TV commercial includes incredible work from Photoshop artists and iconic images from major motion pictures that used Photoshop in the making, including Avatar, Gone Girl, How to Train Your Dragon 2 and Shrek.

How It All Began

In 1987, Thomas Knoll developed a pixel imaging program called Display. It was a simple program to showcase grayscale images on a black-and-white monitor. However, after collaborating with his brother, John Knoll, the two began adding features that made it possible to process digital image files. The program eventually caught the attention of industry influencers, and in 1989, Adobe made the decision to license the software, naming it Photoshop and shipping the first version in 1990.

“Adobe thought we’d sell about 500 copies of Photoshop a month,” said Thomas Knoll, Adobe Fellow and Photoshop co-creator.  “Not in my wildest dreams did we think creatives would embrace the product in the numbers and ways they have. It’s inspiring to see the beautiful images our customers create, the careers Photoshop has launched and the new uses people all over the world find for Photoshop every day.”

 

The Adobe Photoshop Lightroom 5 Book: The Complete Guide for Photographers

 I’m often asked which books I recommend for Lightroom and Photoshop. On the face of it it’s a fairly reasonable question but one that I struggle to answer without showing my bias.  How come?

Well,  since Lightroom 1.0 I have assisted Martin Evening with his Lightroom Book: The Complete Guide for Photographers. My input has been fairly limited in so far as I act as his technical editor. Nevertheless, having read pretty much every Lightroom book available in the english language I can say that Martin’s is by far the most comprehensive. I wont pretend that it’s a book for beginners or even an easy read. No, this book is written with the intention of providing the reader with comprehensive information and tips on all aspects of Lightroom.

Lightroom was designed from the ground up with digital photographers in mind, offering powerful editing features in a streamlined interface that lets photographers import, sort, and organise their images. In this completely updated version Martin describes features in Lightroom 5 in detail from a photographer’s perspective.  He has been working with Lightroom from the beginning, monitoring the product’s development and providing valued feedback to Adobe. As a result, Martin knows the software inside and out, from image selection to image editing through image management to the final print. In this book he’ll teach you how to:

  • Work efficiently with images shot in raw or JPEG formats
  • Import photographs with ease and sort them according to your workflow
  • Create and manage a personal image and video library
  • Quickly apply tonal adjustments to multiple images
  • Integrate Lightroom with Adobe Photoshop
  • Export images for print or Web as digital contact sheets or personal portfolios
  • Make the most of new features in Lightroom 5, such as extended spot
  • removal, Upright™ corrections, and Smart Previews

The book can be obtained from Amazon.com and Amazon.co.uk

Wild Yellowstone – Day 8 (Yellowstone National Park)

Another relatively early start to the day, but rather than pre planned locations we would stop as and when the mood took us or an opportunity for a good photograph arose.

Our first stop was near the Mount Haines viewpoint on the West Entrance road. We had noticed a small heard of elk were making their way across the Madison River, and the light on the far bank was really quite lovely. Fortune favoured us because having crossed the river, the elk stopped to graze for a few minutes.

Elk Calf in Morning Light, Madison Meadow

As we made our way along the Firehole River we came across a Great Blue Heron. Just as we stopped the cars it flew out from the river onto the bank. Fortunately, for us it stayed out of the shadows and we all managed to get a few reasonably good shots.

Great Blue Heron, Firehole River

Our next stop was along the Firehole Lake Drive, which branches off the Grand Loop Road about half way between the Lower and Midway Geysers Basins.  We had been along this road a few days earlier and photographed the White Domed Geyser, but on this occasion we would spend most of our time concentrating on the colour and details to be found in the algae mats and run-offs from the hots springs and thermal pools.

Firehole Spring, Firehole Lake Drive

The Artist’s Paint Pots area was another interesting stop. It’s a relatively small area with a short but steep hike up to a couple of large and very active mud pots. I managed to get a few shots with the pots spurting hot mud into the air, but my favourite shot of the stop was of an American Robin. Pretty much everywhere I went, the Robin followed or was it the other way round 😉

American Robin, Artist’s Paint Pots Area

Images edited in Adobe Photoshop Lightroom 4.1

** Disclaimer** Above images are quick previews specifically for this blog so that friends and family can see how I’m getting on.

Adobe Lightroom 3.4 and Camera Raw 6.4 Release Candidates

Adobe have announced Lightroom 3.4 and Camera Raw 6.4 Release Candidates on Adobe Labs. An updated version of DNG Converter is also available for download. As in the past, the “release candidate” label is used to indicate that these updates have undergone internal testing but would benefit from additional user testing.

These updates included support for the following recently recent cameras:

  • Canon EOS 600D (Rebel T3i / Kiss X5)
  • Canon EOS 1100D (Rebel T3 / Kiss X50)
  • Hasselblad H4D-40
  • Olympus E-PL1s
  • Olympus E-PL2
  • Olympus XZ-1
  • Samsung NX11

A small number of additional lens profiles have also been included.

The following bugs that were part of previous Lightroom 3 releases have been corrected:

  • Lightroom encountered issues presenting double-byte character metadata after the image was edited on Photoshop.com.
  • Publish collections did not work properly if the sort order is set to descending. (“Z to A”).
  • Using the up/down arrow keys or the mouse wheel to adjust a parameter while the graduated filter is activated caused increments of plus or minus 100 instead of 1.
  • Interlacing artifacts, and a slight magenta cast in the deepest shadows could have appeared on some high-contrast edges of Canon mRaw files.
  • A magenta color cast could have appeared on Nikon D7000 images if the multi-exposure feature was used with raw capture.
  • Video files were allowed to be added to a SmugMug publish collection not capable of supporting video uploads.
  • Folder creation caused an expanded folder hierarchy to close unexpectedly in the Library Module.

A small number of bugs found in Camera Raw 6.3 have also be fixed. They include:

  • Camera Raw did not allow write-back capability for the EXIF GPS properties
  • The DNG File format did not support XMP Media Management
  • A JPEG file with a specific characteristic was found to have a pink cast
  • The undo command (Command Z) was failing to undo crop adjustments
  • Single images marked for deletion were not moved to the trash
  • A magenta color cast could have appeared on Nikon D7000 images if the multi-exposure feature was used with raw capture