Category Archives: Adaptive Presets

Camera Raw, Lightroom Classic & Desktop | October 2025

Adobe  ‘Max 2025’ sees the release of Camera Raw 18, Lightroom Classic 15, Lightroom Desktop 9 along with updates to Lightroom Mobile and Web.

Main features in the desktop applications include:

Camera Raw, Lightroom Classic and Desktop

  • (31) New Cameras
  • (28) New Lenses
  • Distraction Removal – Dust
  • Color Variance
  • Masking (Landscape: Snow)
  • Adaptive Presets (Landscape (8) presets, seasonally tuned)
  • HDR Headroom Slider

Lightroom Classic & Lightroom Desktop

  • Assisted Culling (EA)
  • Auto Stacking

Lightroom Classic

  • Zoom while Cropping
  • Filter by Likes and Comments

Lightroom Desktop

  • Color Labels
  • Batch File Renaming
  • Subfolders in Local

Distraction Removal [Camera Raw, Lightroom Classic & Desktop]

You can now automatically remove dust spots from your photos. The Dust option can be found in the Remove panel in the Distraction Removal section.

To use, simply apply checkmark to ‘Apply’ and the AI dust analysis will commence. If no dust is found, then the checkmark will be cleared and a note indicating that no dust could be found is displayed. ‘Visualise Spots’ is also supported, although it’s of limited use.

Color Variance [Camera Raw, Lightroom Classic & Desktop]

The ‘Color Variance’ tool is used to decrease or increase the color variance within the selected range. It’s available in both Global and Local Point Color.

Color Variance is partricularly useful for balancing out skin tones (by decreasing variance) or enhancing color-based contrast in landscapes (e.g polarised skies).

Masking (Landscape: Snow) [Camera Raw, Lightroom Classic & Desktop]

A new category ‘Snow’ has been added to the Landscape mask. Additionally,  the models have been updated to provide better results for Landscape features.

Adaptive Presets [Camera Raw, Lightroom Classic & Desktop]

A new ‘Adaptive Preset Group’: Adaptive: Landscape with following Landscape Masks based presets:

  • Spring01
  • Spring02
  • Summer01
  • Summer02
  • Autumn01
  • Autumn02
  • Winter01
  • Winter02

These presets use the Landscape mask to create individual masks for each of the seven mask landscape components currently available. In above example, only two masks were created (i.e. Vegetation and Water), the others (Sky, Mountains, Architecture, Artificial Ground and Natural Ground) are empty. This is  because none were found when the image was analysed. Empty masks can be deleted later if you wish to keep the mask stack tidy.

HDR Headroom Slider [Camera Raw, Lightroom Classic & Desktop]

An ‘HDR Limit’ slider which supports value from 1.0 to 8.0 has been added. The default value being 2.3. The upper part of the slider range indicates outside of (i.e. beyond) the Current Display Headroom, and is tinted red so that it is easily identifiable. This value is dynamically based on screen brightness, ambient light, etc. Shift+Double-Clicking the slider knob or the label will set its value to ‘Current Display Headroom’. In below example, the slider range is shown as red from 3.7 and higher. This indicates that the display has 3.7 stops of headroom when HDR mode is enabled.

Assisted Culling & Auto Stacking (EA) [Lightroom Classic & Desktop]

‘Assisted Culling’ is the headline feature of Lightroom Classic 15 and Desktop 9. However, unlike previously offered AI-assisted technologies, which are edit-oriented, Assisted Culling is designed to leverage AI in the organisation, rating, and retention of your images either at import or any time afterwards.

In below screenshots, I’ve shown examples of how Assisted Culling appears in the Import and Library modules, respectively.

The ‘Assisted Culling’ and ‘Culling Scores’ panels in both modules are very similar, albeit they’re split between left and right side panels within the Import module. The attributes that Assisted Culling checks are:

  • Subject Focus: This option chooses images with the subject in focus. Dragging the slider left and right sets the selection value with 50 being the default. 
  • Eye Focus: This option chooses images with the eyes in focus. Dragging the slider left and right sets the selection value with 50 being the default.
    • Reject photos without people’s eyes: You select the checkbox to reject images that don’t have human eyes.
  • Eyes Open: This option chooses images with open eyes. 
    • Reject photos without people’s eyes: You select the checkbox to reject images that don’t have human eyes.

I’ve included two screenshots below showing the Assisted Culling and Culling Score panels in the Library module. In these examples, the sliders for focus are at their default values (i.e. 50). The screenshot on the left shows that the ‘Subject’ and ‘Eyes’ are both in focus whereas the screenshot on the right shows that the eyes in an otherwise in focus image, are out of focus (i.e. score of 49).

Using the screenshot on the right. With a score of less than 50, this image will be flagged for rejection. However, if you’re satisfied that the eyes are sufficiently sharp, then moving the Eye Focus slider to the left will cause the flag to change to select. Other images with a similar Eye Focus score will also now be flagged as Selects. So, be careful to check that you haven’t selected images that have out of focus eyes.

The bottom section of the Assisted Culling panel includes buttons for filtering the images into ‘All’, ‘Rejects’ or ‘Selects’.

There is also button to expose the three ‘Stacking’ options (i.e. ‘Automatic by Capture Time’, ‘Automatic by Visual Similarity’ and Time plus Similarity combined).

Automatic by Capture Time is largely unchanged from previous versions. However, Automatic by Visual Similarity is new to both Lightroom Classic & Desktop. With Visual Similarity, the image assessed as being best is automatically placed at the top of the stack. Fortunately, this can be overridden by the user. Both stacking options can be used independently of Assisted Culling, which should be welcomed by users who choose to not use the culling feature.

The last button opens a panel in which you can select from a range of ‘Batch Actions’.

It’s important to note that this initial release is designated as ‘Early Access’. As such, the AI models currently used are intended primarily for portrait and headshot images. That’s not to say that Assisted Culling doesn’t work with non portrait photos, just that the models tend to be less able to determine whether a non portrait image in focus or not. For example, the models struggle with landscape images where there is no obvious subject or the subject is intentionally soft (e.g slow exposure waterfalls). In other instances, there may be no obvious reason why two near identical images end up with widely differing culling scores. In such cases, you may find yourself having to manually check the images for focus.

Zoom while Cropping [Lightroom Classic]

The ability to zoom into the image while using the Crop tool has been added. This is a long requested feature, and its inclusion should be widely applauded. Use the ‘Z’ key to zoom into cropped image. No doubt some will complain because the Spacebar doesn’t zoom.

Other improvements to the Crop tool include: overall experience should be smoother while cropping (crop angle rotation and crop boundaries ), especially with Soft proofing enabled. Also, image rendering should now be quicker when editing in crop view. These improvements are most noticeable on images with heavy edits.

Color Labels [Lightroom Desktop]

Support for Color Labels, which includes Import/Export, is now available in Lightroom Desktop,

  • Searching, Filtering, and Sync.
  • Color Labels are now supported in Smart Albums
  • Color Labels edited outside of LrD should render correctly,
  • Cloud now supports Color Labels, and you should see them syncing properly among supported clients.

The compatibility with other apps varies as summarised below:

  • Older (released) versions of LrC – partial compatibility. With the default mapping in LrC, files saved in LrC will be read by LrD. But after LrD modifies a color label in an image, and then LrC overwrites it again, LrD will not read back LrC’s update.
  • Newer builds of LrC – With the default mapping in LrC, files should be able to go back and forth between LrD & LrC without issue.

Batch File Renaming [Lightroom Desktop]

The inablity to batch rename files in Lightroom Desktop has frustrated users from the very first version. Finally, we have it, albeit nothing special. The highlights are:

  • Single and Batch File renaming in Cloud and Local
  • ‘Undo’ support for single file rename
  • Support for custom renaming templates with ‘loads of tokens’ (non-syncing)

Subfolders in Local Mode [Lightroom Desktop]

Local mode now has a toggle to see images in subfolders from a top-level folder. While it’s a welcome addition, Grid population is slooooow.

New Camera Support [All Clients]

Details of new camera support added since the last release can be found here

New Lens Correction Support [All Clients]

Details of new lens support added since the last release can be found here

New Tethered Camera Support [Lightroom Classic]

Details of new tethered camera support added since the last release can be found here

Camera Raw, Lightroom Classic & Desktop | October 2024

  Adobe  ‘Max 2024’ sees the announcement of Camera Raw 17, Lightroom Classic 14, Lightroom Desktop 8 along with updates to Lightroom Mobile and Web. Main features in desktop applications include:

 

Camera Raw, Lightroom Classic and Desktop

  • (16) New Cameras
  • (38) New Lenses
  • Generative Remove (GA)
  • Content Authenticity Initiative (EA)
  • HDR Gain Map Support

Camera Raw

Camera Raw has received the majority of enhancements, most of which are not yet in Lightroom Classic or Desktop

Remove

  • Revised UX with separation between controls that affect the selected spot vs. controls that will only affect the next spot you create
  • Improvements to object removal: you can now circle objects to detect and remove them and their detected area is better optimised for Generative Remove

Generative Expand (Technology Preview)

Generative Expand (Technology Preview): You can use the Crop tool to expand the photo beyond its original dimensions, then use Adobe Firefly to fill transparent areas surrounding the image. This works both for the expanded Crop use case as well as Geometry transforms (e.g., Upright).

Denoise

The Denoise feature now supports almost all raw files including HDR and panorama DNG files, Apple ProRAW DNG, Samsung Galaxy Expert Raw DNG, and other types of raw files.

Non-Destructive Enhance (Technology Preview):

Denoise, Raw, Details, and Super Resolution can now be applied non-destructively via the Detail panel. Theres is no longer requires making a need to create a new DNG file nor is there a separate window in which the adjustments are made. Instead, Enhance now works directly with the image in the main Camera Raw workspace.

Lightroom Classic

Adobe’s focus with LrC 14 has been to improve the user experience when upgrading or renaming catalogs along with a method by which the size of the Previews cache can be managed

Catalog Upgrade and Renaming

The new workflow for catalog-upgrade includes a new UI

Notice that catalog name is not editable within the new upgrade dialog, Instead, it is upgraded with same name as current catalog.

The original catalog (.lrcat) is stored as backup so that user can revert back in case of any issues occur during the upgrade process. The original catalog is stored in a new folder named ‘Old Lightroom Catalogs’  The older catalog folder will be stored as compressed file inside ‘Old Lightroom Catalogs’ folder besides the original catalog folder and it will have .lrcat and .lrcat-data files.

Should you wish to rename the catalog, then simply choose Rename Catalog from the LrC File menu.

Preview Management

Should you wish to constrain preview size due to limited space on the drive containing your catalog, then by selecting “Limit Preview Cache Size”, you can now allocate a definite size to which you want to limit the size for your preview cache.

Based on the size allocated, preview purging will start as a background process and will attempt to bring the size closer to the allocated size.

The logic used to decide when and which previews are actually discarded is as follows:

Which previews are getting deleted ?

Previews which are 30 days or newer are never deleted

How often will the purge start?

Once the user sets the preview cache size, going forward lightroom will keep deleting the older previews (With a warning/Info first, and an option to increase that size) to satisfy the desired limit. 

How to identify the limit size to be set?

Reasonable size should be what you want your space to be occupied for previews. This can vary from user to user. If you have enough space and don’t mind LrC consuming that space, you can keep it on a higher side.

Notification will be displayed  when 90% of the allocated cache size is reached, and  before starting standard previews purging begins.

Remove Tool Enhancements

Objects can now be selected by roughly brushing around them.

The following updates for Generative remove have also been added.

  • UX updates in Remove panel
  • Option to delete variations.
  • Copy-Paste, Sync & Auto-Sync on Generative Remove edits would generate new  variations on the target/destination image.

A three dot menu has been added beside Variations, which has an option to Report generated variation errors to Adobe.

Masking Enhancements

The ability to delete empty mask groups, which was a popular feature request

The “Delete All Empty Masks” command can be accessed from:

  1.  Library->Photo->Develop Settings
  2. Develop->Settings
  3. Image->Right-Click->Settings

Denoise (also Lightroom Desktop)

The Denoise feature in LrC 14 now supports almost all raw files including HDR and panorama DNG files, Apple ProRAW DNG, Samsung Galaxy Expert Raw DNG, and other types of raw files such linear raw.

Content Authenticity

Content credentials are part of export preset. Now you can save Content Credentials related options inside export preset. Support for syncing CAI information to cloud is also supported. You can import an already CAI signed image and upload to cloud. This signature will be preserved in future valid workflows of CAI.

Provide Feedback

You can now provide feedback on Lightroom Classic by clicking Help – and selecting “Provide Feedback” option.

System Requirements

The minimum OS version for Camera Raw, Lightroom Classic and Desktop have changed from those applicable to the previous version.  Each is provided at the following Links:

Camera Raw

Lightroom Classic

Lightroom Desktop

New Camera Support

Details of new camera support added since the last release can be found here

New Lens Correction Support

Details of new lens support added since the last release can be found here

New Tethered Camera Support [Lightroom Classic]

Details of new tethered camera support added since the last release can be found here

Camera Raw, Lightroom Classic & Desktop | April 2023

The latest updates to Camera Raw (15.3), Lightroom Classic (12.3) and Lightroom Desktop (6.3) have been released to customers. These updates include new camera and lens support along with bug fixes. There is one major new feature along with other minor features and enhancements that I’ll discuss below.

AI-powered Denoise [Camera Raw, Lightroom Classic & Desktop]

With these latest updates, Adobe is introducing AI-powered Denoise!

Using artificial intelligence, Camera Raw, Lightroom Classic and Desktop can now remove noise from your photos. Better still, the noise is removed whilst preserving fine detail, far more effectively than the legacy noise reduction controls.

At present, Denoise will only work with Bayer and X-trans raw files. It won’t work on files such as JPEG, HEIC, ProRAW, sRaw, etc. However, Adobe plan to expand support for other file types in future versions.

Lightroom Classic Denoise

Denoise Workflow and File Management

The process of denoising your photos is very simple.

First, Adobe recommend that photos are denoised before editing, especially healing and masking as they can be affected by noise. Edits such as Highlights, Shadows, Dehaze and Clarity can also look different in denoised photos.

Denoise can be accessed via Photo > Enhance menu, or via the ‘Denoise…’ button in the Detail panel (see above screenshot).

Adobe Denoise analyses each photo dynamically to find the optimum range, but the default ‘Amount’ value (50) is always halfway between least and full denoising. In other words, the meaning of ‘full denoising’ varies with the photo, based on the analysis.

In the Enhance dialog, you can press-and-hold anywhere within the preview image to see the photo without Denoise applied. This provides a simple way to make before/after comparisons, especially when fine-tuning the Amount setting.

As with previous Enhance features, any adjustments you may already have made to the original photo will automatically be carried over to the enhanced DNG, although denoising first is recommended for the reasons mentioned above. Any legacy luminance or colour noise adjustments are ignored, and set to zero in the new DNG file. You can edit the new DNG file just like any other raw photo, apply your favourite presets, etc.

The zoom level used in the Enhance Preview panel is 200%, which is a tad high for normal resolution displays but is fine for 4K and higher.

The Denoise process produces a new derivative DNG file with ‘Enhanced-NR’ appended to the filename. Making the result of Denoise into a DNG has all the advantages that normal raw files do, and is similar to other features that produce a DNG. These include, Merge to Panorama and Merge to HDR. However, in the case of Denoise, like the other Enhance features, the resulting DNG also contains a copy of the original mosaic data, so nothing is lost. That being said, Denoise can’t yet be applied on an already enhanced image (Super Resolution or Denoised).

To make the task of finding files that have had ‘Denoise’ applied, the engineering team have provided an option to automatically add keywords to ‘Enhanced’ images. This option can be found under File Handling tab in Preferences dialog as shown in screenshot below.

The new keyword is added to each file based on the enhance workflow you have selected.

  • Raw Details
  • Super Resolution
  • Denoise

A new badge    has also be added to Grid thumbnail and filmstrip. Apparently, the keywords and badges are to make Denoised file easier to find. Personally, I think the engineering time would have been more usefully spent in providing a ‘filter’.

No doubt, there will be numerous comparisons between Adobe Denoise and third party offerings such as those from DxO and Topaz. Each will have areas where they perform well and others where they perform less well. By way of example, some of the third party products may excel at removing all traces of noise without human intervention whereas Adobe’s Denoise at it’s default setting of 50 tends to leave a little residual noise. However, this should not be seen a shortcoming, especially since a small movement of the Amount slider is all that’s needed to remove the noise. Another example, Some 3rd party applications apply global sharpening whilst Adobe Denoise does not. Personally, I prefer to have some control over the amount of noise reduction and sharpening applied to photos, but other users prefer that the process be a single click.

A comprehensive explanation of Denoise written by Eric Chan from the Camera Raw team can be found here.

Masking

Masking continues to be improved with new tools and UI tweaks. I’ve highlighted some of the new features and UI tweaks below.

Curves [Lightroom Classic and Desktop]

A ‘Curves’ panel has been added to to Masks in Lightroom Classic and Desktop. This brings both versions of Lightroom into line with Camera Raw.

Other Curve enhancements include:

  • Indicators (dots) have also added to Tone Curve and Masking Curves panel to indicate if that Curve has active settings. See above screenshot.
  • Support has also been added for Renaming and Deleting Curve Presets through the UI. The option is only available for User Created Presets.
  • The Histogram shown in local curve will be displayed for the selected mask, and not of the entire image. See above screenshot.

Select People [Camera Raw, Lightroom Classic and Desktop]

Two new attributes for the People mask.

  • Facial Hair
  • Clothes

Also, the People mask attribute ‘Face Skin is now renamed to ‘Facial Skin’.

History Step [Lightroom Classic]

The Mask Name would now be added to History step when its settings, like Exposure, Contrast, etc., are changed.

Adaptive Presets [Camera Raw, Lightroom Classic and Desktop]

The Portrait Group of ‘Adaptive’ Presets has been expanded to include

  • Polished Portrait
  • Darken Beard

Library Enhancements [Lightroom Classic]

The Lightroom Classic engineering team have spent some time working to improve Scrolling and Walk Performance. However, at this time these improvements are limited to macOS systems.

For example, many Library module views now leverage native macOS capabilities for drawing/rendering of Images. This should help in optimising overall scrolling performance.

With these changes, you should experience better performance in the following views in macOS.

  • Improved / smoother Publish Grid scrolling and People View Scrolling.
  • Improved/ smoother scrolling experience in Import Grid , Import Loupe.
  • Faster walking in Full Screen.

Other Performance tweaks have been implemented as follows:

  • Keywords – optimised ‘Purge Unused Keywords’ workflow.
  • Map – the embedded browser framework that is used to render web content Classic in Map and Web modules has been updated.

UI Enhancements [Lightroom Classic]

Eyeball icons & Edit indicators

  • Eyeball icons replace the ‘switches’ and are now visible by default for all Edit panels and Healing, Redeye, and Masking tools. They can be clicked and held to temporarily hide settings of that panel. However, should you wish to switch a panel off, then press and hold Option/Alt key to convert Eyeball icons to  a Panel Switch.
  • Edit Indicators are also available in the toolbar. For the Global Panels, Eyeball icons also act as edit indicators.

Edit in Photoshop > Select Photoshop Version

Lightroom Classic now includes an option to select Photoshop version from all the different Photoshop versions installed on your system for your ‘Edit in Photoshop’ workflows. You can select the preferred Photoshop version from ‘Photoshop version’ dropdown in Preference > External Editing tab > Edit in Adobe Photoshop section. By default, latest version of Photoshop installed is selected. Once the Photoshop version is selected, it can be used for all the Edit-In Photoshop workflows.

Open as Smart Object Layers in Photoshop

A new option  has been added to open selected images as Smart Object Layers in Photoshop.

Feature Enhancements [Lightroom Desktop]

In addition to the headline feature mentioned above, Lightroom Desktop receives the following enhancements.

  • Video Improvements (Auto – B&W – Extract frame – Export frame – Trimming improvements (Timeline, Numeric in Crop))
  • Batch Editing -Already have it, just more discoverable -Copy -Paste -X to clear current settings -Gear to specify what gets copied
  • Resize Filmstrip
  • Preference to turn off Tool Tips
  • Performance Improvements: Crop, Scrolling, Pan and Zoom
  • [Beta] Content Authenticity feature via Export (opt in) -File or Cloud – Credentials to include -Verification site – https://verify.contentauthenticity.or -See list of creators, tools, what was done -See original (See original and edit side).

New Camera Support

Details of new camera support added since the last release can be found here

New Lens Correction Support

Details of new lens support added since the last release can be found here