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Contd.

 

  • Give the preview profile a meaningful name. In the example shown below I have chosen "Epson2100 Fuji Hunt SemiGloss" to signify that the profile is for the Epson 2100 printer when using Fuji Hunt Semi Glossy paper.

 

Image

 

  • Click OK and return to the Proof Setup menu. Notice that the new proofing profile has been added to the bottom of the list.

Image

 

  • It's probably best that you create all of your Previewing profiles in one batch so that they'll be available when you need them.

Stage 2 - Creating the Reference Image

We begin this stage by opening the image that we intend to print. The example shown below has highly saturated reds that are particularly difficult to render correctly on all but very high gloss media.

Image

Original Image

 

  • Select Duplicate from the Image menu and align the two images so that both appear on screen together.
  • Select the original image.
  • Select View > Proof Setup > Custom from the View menu.
  • Choose the soft proofing profile from the list.
  • Select Proof Colors form the View menu.

 

Image

 

You will likely notice that the original image shows a change relative to the duplicate. Examples of the changes that can occur include the image, depending upon the profile being used, becoming flat lacking contrast and/or saturation or hue shifts. It may even take on a colour cast. Each image will react differently. Although not obvious in the screen shot I find that in the example shown below the red in the shadow area (shown inside yellow boundary) of the boat darkens significantly, the remainder of the image changes very little.

 

Image

 

Photoshop is giving us a very useful message with the soft proof preview. If all has been configured correctly and the media profiles being used are accurate, we should see how the dynamic range and colour gamut of the image is going to be compressed when printed.

Actually, with profiles for matt papers the change can be very dramatic. Many have balked at this point and gave up thinking that something was drastically wrong with their media profiles. Certainly, the Epson media profiles will tend to show less than ideal results with images containing saturated greens and blues.

 

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