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Step 6

This is the step where we neutralise the colour imbalances inherent in our monitor. Adjust each of the sliders in turn so as to blend the inner square with its coloured surround. Again squinting is a great help.

Green is usually the most difficult to get right, but persevere. The closer you get to a perfect match at this point the more accurate your final profile will be.

 

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Step 7

Depending upon your computer type choose either the Windows Default or Mac Default gamma. In reality, this choice is not as important as it once was and you can choose either in the knowledge that Photoshop will make the appropriate corrections when necessary. Personally, and even though most of my work is now done on the Mac platform I choose gamma 2.2

 

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Step 8

Choosing the White Point for your monitor is pretty much a formality these days. Even the die-hards are in agreement that 6500oK is probably the best option on most systems.

You should have already set the Hardware white point via the dials/buttons on the monitor. Most monitors have a native white of 9300oK; so do check what it has been manually set to.

Choosing 6500oK provides the cleanest and brightest white point and closely matches daylight. If you feel really confident you could select the Measure option. You can choose 5000oK, but this usually produces a slightly dimmer and more yellow white point.

 

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Step 9

Generally, it's better to leave the Adjusted White Point setting at the default - Same as Hardware. Nevertheless, this option is used to choose a working white point for monitor if it differs from the hardware white point set in the last step.

By way of example; if your hardware white point can only be set to 6500oK, but you want to set it at 5000oK because that most closely represents the environment in which it will normally be viewed, you can set your Adjusted White Point to 5000oK, and Adobe Gamma will change the monitor display accordingly: However, choosing this approach will all cause the graphics card colour LUT to be adjusted quite severely, and depending upon the graphics card the screen can look quite ugly on some systems. As indicated above I recommend that you choose Same as Hardware and thus avoid this problem.

 

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Step 10

That's it, if all has gone well you will have adjusted the brightness, contrast and colour settings of your monitor to the optimum values.

Make a quick check using the Before and After radio button. If you're happy that the screen display now looks more neutral than before press the Finish button and Save the profile. Once saved the profile will be available for use by the OS and Photoshop.

 

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22 May 04

(Optional Steps)

Finally you might wish to check that the newly created monitor profile has been enabled and set as the system default. To do so you should reopen the Windows Control Panel from My Computer and double click the icon labelled Display. A dialog called Display Properties, which will be similar to the following should appear.

 

 

Once the Display Properties dialog box appears navigate your way to the Settings tab and click the Advanced button. The next dialog box to appear will be labelled to match with the display/graphics card vendor names and will be similar to that shown below. The final step is to click the tab labelled Color Management. All being well you should find that your newly created monitor profile is listed and set as the default.

 

 

Useful Information on location of  ICC/ColorSync Profiles

Photoshop CS is only compatible with Windows 2000 and XP on the PC platform and OSX 10.2.x or higher on the Mac platform. An upside of this change is that the ICC and ColorSync profiles are more easily found.

Profile locations:

Windows 2000 and  XP - sub-folder named system32/spool/drivers/color

Mac OSX - ColorSync profiles are located in the Library/ColorSync/Profiles folder

Monaco Systems - http://www.monacosys.com

ICS - http://www.icscolor.com

The only advantage of Adobe Gamma (Windows systems) or the Apple Display Calibrator Assistant (Mac OSX systems) is that they're both free, whereas the third party products can cost nearly as much if not more than Photoshop. However, since many third party alternatives use hardware and not the eyeball for measurement you are generally assured of much greater accuracy.

 

 

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© 2003 Ian Lyons. All Rights Reserved