Logo

User Review

By Ian Lyons

January 2001
 

LOGO

A Computer Darkroom Review

 

 

I've long been interested in inkjet based Black and White photography and with the release, early last year of the Photo Stylus 1270 inkjet by Epson I found myself with a spare A3 sized printer, namely the Photo Stylus 1200. Great I thought, I could use the new model for colour and the old model for Black and White prints. Hmmm, as things turned out, at first, not such a great idea.

 

 

The Epson 1200 is renowned for the quality of the colour prints it produces due the variable dot technology. Using it, I could even produce reasonable black and white prints using a mixture of the five colours and black, although they were never truly neutral. However, try as I might shadow detail was always lost in a mass of black ink. Print neutrality improved with the aid of high quality profiling software and hardware, but still shadows remained unacceptably blocked. The thought of mixing my own concoctions of grey and black inks was never a serious runner. The alternatives included the various Lyson, MIS, etc. ready mixed quadblack inksets, but the more I read of these the more I became convinced that they also to had their drawbacks.

As early summer (2000) passed, I began to see references to a new ink/software combination designed for Black and White enthusiasts. The name PiezographyBW caught my attention and I followed the links to Jon Cones' Inkjet Mall web site (http://www.inkjetmall.com). There I found lots of info on this new technology, but stumped again, it was for the Epson 3000 only, although other Epson printer models were in the pipeline. Then in early September, a reference to the Epson 1200 appeared suggesting the immanent release of PiezographyBW6 (a special 6-ink version). By this time, the public commentary on PiezographyBW was extremely encouraging. I could hardly wait!

A printer friendly version of this Review can be downloaded by clicking on the following icon

So what is PiezographyBW?

PiezographyBW is a combination of a specially formulated quad black ink-set (six tones for the Epson 1200) a Photoshop export plug-in and a set of dedicated media profiles. Using this ink-set/driver/profile combination, it is possible to use selected Epson inkjet printers as dedicated Black and White printers.

When you first place an order for PiezographyBW, you must buy the software and inks. The starter pack includes all that you need (except the printer) to make black and white prints on your Epson: -

a. PiezographyBW Ink cartridges
b. PiezographyBW Photoshop software plug-in (includes the media profiles)
c. PiezographyBW User Manual on CD-ROM

Supported printers include the Epson 3000, 1520, 1160, 860, 850, 800, 760 and most recently the Epson Photo Stylus 1200. There is also support for a continuous ink supply system for the Epson 760, 860, 1160, 1520 models.

 

Printer Setup and the PiezographyBW Ink-set

The PiezographyBW inks are pigmented black inks specially formulated for Cone Editions to print with the degree of sharpness and density required by the specially written software driver (more details later). The present ink-set is carbon pigment based and is neutral going slightly warm in appearance. With some types of media, this warm tone can be quite pronounced, with others it's hardly noticeable. However, there are strong indications that a cooler toned ink-set will be released sometime in early 2001. 

Into the Future :-)

Better still will be the new paper developed by Cone Editions that will print much cooler tones than existing papers. Apparently, with some coatings the hue can change, and it is as a result of this that we observe the warming effect on some papers. This new paper includes a special coating to eliminate this effect. Jon Cone tells me that it has been designed to enable rich blacks and VERY cool neutral tones. All being well at the mill, it should ship sometime in March 2001.

Okay, back to the present!

The user manual is quite specific in the procedure for setting up the printer, installing the ink cartridges and head alignment, there are NO shortcuts. New printers must have the original Epson coloured inks run through the heads before even considering the installation of the PiezographyBW inks. It is also advised that you then follow this up with a special flushing agent (supplied at extra cost), finally the Epson head alignment routine must be run. Head alignment should be undertaken using the actual media that you intend to use.

Generally, it's found that after the inks are installed and the printer purged (cleaning cycle) a few times some of the jets may still be clogged. In such circumstances turn the printer off and leave overnight, the clogs should be cleared when you power up the printer the next day. If not, run another cleaning cycle and all should be well.

 

Image

Epson Head Clean Utility

 

In terms of actual output, my own experiences with the current inks are quite positive and I find the slightly warm tone mentioned earlier quite attractive. Actually, if you don't have a perfectly neutral print to compare with, the warm tone is very hard to distinguish. That said I have tended to concentrate my printing efforts to Epson Photo Paper (glossy finish) and Epson Heavy Weight Matt, so I might not be seeing the warm tone to the same extent as other users. The prints I made are beautifully rendered and the smoothness of tones must be seen to be believed. Personally, I have always preferred the look of Bromide type photographic papers, but sometimes resin coated were the only option. PiezographyBW produces the bromide look.

To be honest, the first couple of prints weren't as good as expected, but as it turned out my images were at fault, not PiezographyBW. I had neglected to read the excellent user manual provided with the software. Only after viewing my miserably flat results did I think to check the user manual and there it was, an explanation on how to optimise the image for PiezographyBW, silly me!

 

Optimising the Image and Configuring the PiezographyBW Plug-in

PiezographyBW is capable of printing a full range of tones from pure white to black. The range of tones in between is exceptionally smooth and the amount of detail held in the shadow regions is well beyond what can be obtained by all but the very skilled conventional wet-darkroom printers. In terms of the majority of black and white workers, the quality of print that can be obtained from PiezographyBW is quite remarkable.

The key to success lies in three areas:

i) Capturing a full range of tones from the scanner or digital camera

ii) Careful editing of the image

iii) Printing at the highest possible resolution without upsampling the image.

 

Image

Photoshop 6 and PiezographyBW6 (Epson 1200) Plug-in Printer Driver

 

 

Home     Page 1 of 4     Next Page

All Rights Reserved ILyons 2001