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10
Year Inks
The new Ink cartridges complete with a microchip
(see below) are designed to ensure the driver is always reflecting
the estimated ink levels. So unless you figure out a way of
resetting (very doubtful) the microchip, then refilling the
cartridge in the way we did previously is History!!! Furthermore,
"if" as seems VERY likely; Epson have
designed the print driver to only allow printing from a cartridge
with a microchip, then alternative non-Epson pre-filled cartridges
are equally doomed (unless someone wants to pay Epson a License
fee). Apparently all future Epson printer models will be similarly
configured.

Roll Paper &
edge to edge prints

"10 Year Life Inks"
Selecting the "Status Monitor"
from the "Utilities" Tab produces the dialog
for "Ink levels" plus an "Information"
button. Selecting this new button is actually quite interesting
because we now see the type of information being fed back to the
driver (there's a lot more, but not yet being used). Much has
been made over recent weeks of the purpose underlying this new
feature.

Ink Level
Information
As suggested above many believe the purpose of
the new "microchip" is to thwart the "refill"
brigade or stop 3rd party ink manufacturers, may be it is!
However, I believe there to be message hidden deep within the
new "Information dialog", the context of which
may become clearer over the coming months.

Cartridge
Information
Once you get your head round the fact that the
"microchip" is not really some dastardly trick simply to
prevent refilling and 3rd party ink supplies you will become more
appreciative of its more useful features. Every time I open the
"Properties" tab to check the ink levels up comes
another surprise,
look at the following screen-grab as an example. The information
that 13 prints remain is probably quite meaningless without you
knowing that I had already put through 36 A5 (7.5 by 5
inch) full colour images.

Feedback
on Pages remaining
Media
Of
particular concern to some is the choice of "Media".
In particular what options the new driver allows the user to
select from. Obviously the loss of any media option could have
dire consequences for those that use alternative paper choices,
along with "Custom" ICC profiles. I even notice
on some forum's comments such as "Back
Lit film is no longer an option" and "Quads
inks will be a selectable option", well the FACTS
are, at present NEITHER is true, as can be seen below.

Checkout the
Media Table
The
new drivers are aimed firmly at the masses who much prefer (as
do I) to play safe and use Epson's own ink and paper
combinations. Given past experience it is probably better that
choice is kept to a minimum, that said it is also important that
the user has some flexibility in choosing the ink/media type,
etc. When the above media choices are taken in combination with
the information that can be contained within the new
"microchip" on the ink cartridge who knows what lovely
surprises Epson have in store for us in the future.
Conclusions
I
hope this review addresses some of your
concerns/expectations. Of course there will always be those
expect more for less, but the reality is, these new printers
have the potential to produce exceptionally fine colour prints, and all
at the same cost as their immediate predecessors.
The
variable dot size technology really comes into its own when
printing images that have soft tones and gradations. The
question now is can Epson or anyone else get it better?
Personally looking at the prints on the new Premium glossy
paper I have before me; I don't think it matters a lot how
much smaller the dots are made. Short of using a 8XLupe you will
not see dots. At proper viewing distances the images are to all
intents and purposes "Photographs". One area
that appears to have benefited greatly from the new dot size and
dither patterns is sharpness, the prints are sharp, really
sharp.
In
terms of colour accuracy and final print density I have already
mentioned that the default "High Speed" mode
provides the most neutral prints, and that they are a very close
match to the original in terms of density. For why this should
be the case that I don't know, but it sure is annoying that the
highest quality print mode produces the less accurate results in
terms of colour.
Another
thing that became apparent almost from the very first print I
made was the fact that whereas previously it was very easy to get blue skies becoming over saturated (i.e. similar to
over zealous use of polarising filter); the new printer prints
them just like the original. In fact I think that many who liked
the real deep blues of the older ink set will need to increase
saturation slightly. From what I have been told the colour gamut
of the new paper/ink combination exceeds that of
the Stylus 1200, so we haven't been short changed.
The
abundance of poorly documented modes is still something of
a concern, but thankfully I think all are functioning correctly.
Likewise the issue of Photoshop and printer driver settings has
the potential to be as complex as before if you don't use
Photoshop 5.5, hopefully the table I provided on Page 2 gives some guidance.
Finally,
the old chestnut of the Pizza Tracks seems to have been
significantly reduced when using the new Premium Glossy Paper.
Notice I write seems!, I'm always wary of the being too
definitive when discussing pizza tracks. Some have reported that
the pizza tracks are totally gone, time will tell if this is
correct. From what I can see the printer does NOT leave
any obvious trace of the pizza wheel marks when using the
new Premium Glossy, that's not to say they aren't there!
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