Pacific Northwest 2014

photoventuresI’ve been traveling again. This time to the Pacific Northwest of the USA. The series of images making up this small gallery are some of my favourites to date. They were  captured as we traveled through the states of Washington & Oregon. The trip was organized by Roger Reynolds at

The Pacific States of Oregon and Washington are often overlooked when people visit the United States. Yet these States offer some of the finest photography to be found in North America and numbers amongst its attractions some unique photographic opportunities. Our trip included a wide variety of locations from the fabulous rolling corn fields of the Palouse to the wild and rugged coast of Oregon. With such a wide variety of terrain, landscape and geographical features to be found in this area we were presented with an unrivalled opportunity to capture many great images.

Evening Light on Palouse, Washington

Elk in Evening Light, Ecola State Park, Oregon

Twilight at Indian Beach, Ecola State Park, Oregon

The states of Washington and Oregon contain a very exciting coastline and an interior that has been formed over millions of years by the earth’s violent forces. The influences of the power of volcanic activity are everywhere with the clearest indication being found at Mount St Helens and Mount Ranier. I’ll add images to the gallery as we spend our last days travelling to Mount St Helens and Mount Ranier.

All images were processed using Adobe Lightroom 5.5.

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Lightroom 5.5 Released

Lightroom 5.5 is now available as a final release on and through the update mechanism in Lightroom 5. The goal of this release is to provide support for Lightroom mobile, additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom.

Although not specifically mentioned in release notes or bug fixes users who render either standard-size or 1:1 previews during import will notice a small improvement in the time it takes to complete the import. Of greater importance to these users will be that the previews will begin to render much sooner than in earlier versions. The actual time taken to render individual images has not improved.

New Camera Support in Lightroom 5.5

  • Canon PowerShot G1 X Mark II
  • Fujifilm FinePix S1
  • Nikon 1 J4
  • Nikon 1 S2
  • Nikon 1 V3
  • Olympus OM-D E-M10
  • Panasonic DMC-GH4
  • Pentax 645Z
  • Samsung NX3000
  • Sony DSC-RX100 III
  • Sony A7S (ILCE-7S)
  • Sony Alpha SLT-A77 II (ILCA-77M2)

Important Bug Fixes:

Fixed issue with Fujifilm X-T1 raw images appearing too bright at high ISO settings when using Dynamic Range 200% and 400%. Unfortunately, this fix may affect the appearance of existing images captured with this combination of settings. It is recommended that you (1) purge the Camera Raw cache via the Preferences dialog, and (2) review images shot at ISO settings higher than 1600 for unexpected brightness changes.

Fixed issue with reading lossless compressed Nikon raw files (NEF files) from the camera models listed below. Previously, some images could be read but would appear as random noise, whereas attempting to open others would result in an error dialog. You will need to purge your Camera Raw cache via the Preferences dialog.
  • Nikon D1
  • Nikon D1H
  • Nikon D1X
  • Nikon D2H
  • Nikon D2Hs
  • Nikon D2X
  • Nikon D2Xs
  • Nikon D100
  • Nikon D200

Lightroom 5.5 can be downloaded from:

Disclosure: As an Adobe Community Professional I receive a free subscription to Adobe Creative Cloud.

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Camera Raw and DNG Converter 8.5 Released

 Adobe Camera Raw 8.5 is now available as a final release for Photoshop CS6 and Photoshop CC. This release provides new features including new preview controls, the ability to modify graduated and radial filters, and a new visualisation mask for graduated and radial filters. In addition, this release also includes bug fixes, support for new cameras and new lenses. DNG Converter 8.5 is provided for customers using versions of Photoshop older than Photoshop CS6.

The new features mentioned below are updates to Camera Raw 8 for Photoshop CC only. While CR 8.5 will work with Photoshop CS6 it only includes new camera support, lens profile support, and bug fixes.

Release Notes Features:

Modify Graduated and Radial Filter masks with a brush:
  • After adding or selecting a Graduated or Radial Filter instance, click the new ‘Brush’ mode (next to existing ‘New’ and ‘Edit’ mode buttons) to reveal brush controls that allow you to modify the selected mask.
  •  Use the’Brush+’and’Brush-‘icon buttons in the brush controls pane to add to or erase from the selected mask.
  • Pressthe’Clear’buttontoremoveallbrushmodificationsfromthecurrently selected mask.
  • When a Graduated or Radial Filter instance is selected, Shift-K can be used to enter and leave brush modification mode.
  • For more information, checkout this video (
Mask visualisation is now available for the Graduated and Radial Filters. Use the Mask checkbox at the bottom of the Local Corrections pane or press ‘Y’ to toggle the mask overlay.
Added Per-Panel Preview default toggle button
  • If the current panel’s settings are not the ACR defaults, clicking the new Per-panel Toggle Button will reset the panel to the ACR defaults.
  • Clickingthebuttonagainwillrestoretheprevioussettings.
  • This is a standalone feature, separate from the new Preview controls.
  • The changes are applied to the main view; if you have both the Before and After panes visible, changes will appear in the After pane.

New Camera Support in Camera Raw 8.5

  • Canon PowerShot G1 X Mark II
  • Fujifilm FinePix S1
  • Nikon 1 J4
  • Nikon 1 S2
  • Nikon 1 V3
  • Olympus OM-D E-M10
  • Panasonic DMC-GH4
  • Pentax 645Z
  • Samsung NX3000
  • Sony DSC-RX100 III
  • Sony A7S (ILCE-7S)
  • Sony Alpha SLT-A77 II (ILCA-77M2)

Disclosure: As an Adobe Community Professional I receive a free subscription to Adobe Creative Cloud.

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Adobe introduce Lightroom mobile

 As mentioned in my earlier post regarding Lightroom 5.4 Adobe have included one new feature. Actually, to suggest one new feature is a tad unfair, especially since it opens the door into a completely new digital photography workflow. This new workflow is made possible by a new free iPad application called Lightroom mobile, which enables you to carry out a small subset of the tasks normally undertaken in Lightroom desktop then sync theses back to your desktop catalog. For example,

  • access images in your main desktop Lightroom catalog
  • make selects or reject photos
  • apply develop presets
  • refine your existing develop adjustments using all your favourite adjustments from the Lightroom desktop Basic panel, including Highlights, Shadows, and Clarity
  • import new photos directly from the camera roll (Note: direct import does not support raw files)

Lightroom mobile utilises Smart Previews (sometimes referred to as proxy files) created within your Lightroom desktop catalog to provide raw editing functionality on your iPad. First introduced in Lightroom 5 beta, Smart Previews are:

  • based on the DNG file format
  • limited to 2560 pixels on the long edge
  • lossy smaller versions original raw files
  • can be used to make develop adjustments even when the original files aren’t available locally
  • develop adjustments made to Smart Previews are applied to the original when the original files are available

Above are the aspects of Lightroom mobile that Adobe and many reviewers will likely highlight, and to be fair, they’re generally deserved of praise. However, there are currently some very significant limitations to Lightroom mobile, which might cause some users to take a less positive view than Adobe would wish for. For example, this initial version doesn’t support rating or labels. Nor does it support any form of metadata editing (i.e. basic metadata can be displayed but not applied or edited). I expect these shortcomings will be addressed in future versions, but for now their absence does limit the usefulness of Lr mobile.

Other limitations or pain points are:

  • Adobe only support iPad 2 and higher. An iPhone version will likely follow later this year. (I’ve not aware what Adobe’s future plans might hold for Android devices.)
  • To use Lr mobile it’s necessary to sign up to one of the various Creative Cloud (CC) options. Without CC Lr mobile is little more than a desktop ornament. While the cost of the Photoshop Photography program at $10 per month is actually pretty good value many potential customers will likely reject Lr mobile simply because they’re unwilling to enter into any form of software subscription plan.
  • Sync speed between the desktop and iPad is heavily dependent on your internet connection (i.e. there is no peer-to-peer option). So, users with a slower internet connections will find that the sync takes a lot longer than may be prepared to wait. For example, the best I can achieve with about 350kbs upload bandwidth is to sync a collection of 200 images in approximately 1 hour 50 minutes. Users with much faster connections are reporting a similar number of images being synced in 10 to 15 minutes.
  • Lr mobile can only sync with one Lightroom desktop catalog. If you try to sync with a second desktop catalog Lr mobile will warn that the previous synced catalog and images will be removed from the iPad and Creative Cloud.
  • The last pain point I want to mention is one that has the potential to effect everyone. It’s a very basic flaw in the sync workflow that could so easily have been avoided. Alas it wasn’t, and I suspect there will be many angry users as a result. Basically, when you sync a collection the images are uploaded to the Creative Cloud, but unless you’ve set Lr mobile on iPad to use offline editing the cloud is as far as they go. Sure the iPad will display the first image from your collection  along with an indication that the collection contains X number of images, but that does not mean the images have actually been downloaded to your iPad. Furthermore, there is no visual warning to let you know that you can do little to nothing when you disconnect or loose the internet connection. Therefore, if you know that you will lose the internet connection when you leave your  home/office then its’ best to activate the ‘Enable Offline Editing’ feature from the collection context menu (i.e. tap on the three dots badge in bottom right corner of collection image). This way the proxy files used by Lr mobile will be downloaded to your iPad. However, for this took work successfully the iPad must be configured to prevent it sleeping when the cover is closed, etc. This particular behaviour only serves to demonstrate how little attention Adobe paid to offline editing. As an alternative to setting offline editing to on you can loupe through the collection while connected to internet thus downloading the proxy files to your iPad. Obviously, this method is a lot more time consuming. So, I recommend you activate offline editing mode

I have laboured the last point because I’ve made the mistake myself on at least two occassions and ended up getting no work done. It was not a pleasant experience the first time, and even less so the second. So, be warned.

How to get started with Lightroom mobile

1. Download Lightroom 5.4 from

Lightroom mobile is a companion to Lightroom desktop, and is the first version of Lightroom desktop that includes the ability to sync images to Lightroom mobile. You can update to the latest version of Lightroom 5 using either the Creative Cloud app on your desktop computer or by clicking on the Lightroom  “Help-> Check for Updates” menu option.

2. Sign In

Lightroom mobile utilises Adobe cloud services to sync Smart Previews and changes between Lightroom desktop and Lightroom mobile. Lightroom mobile requires a qualifying Creative Cloud or Photoshop Photography Plan subscription. These include:

  • Photoshop Photography Program
  • Creative Cloud complete plan
  • Creative Cloud Student and Teacher Edition
  • Creative Cloud for teams complete plan

A free 30-day trial of Lightroom mobile is available.

To sign in you must open the new panel hiding within the Lightroom identity plate. This panel also serves as an indication of sync progress.

3. Sync a collection

Lightroom mobile is organised around Collections. Images within Collections will be synced to your iPad and be available in Lightroom mobile for editing.

To sync a collection – click on badge to left of collection name

4. Download Lightroom mobile

Visit the Apple App Store using your iPad and download Lightroom mobile. Once you login with the same Creative Cloud account as your desktop computer, you’ll see all of your synced Collections.

Lightroom mobile logon screen

Synced collection

In above example, I have synced 50 images from a collection held on my desktop computer. Using the normal iPad gestures (i.e single tap on collection image)  I was able to open into a view that shows all of the images making up the collection (Grid view).

A single tap on any image within the Grid view will open that image into Loupe view. In Loupe view it’s possible to Pick and Reject individual images (sweep finger up is used for Pick and Down for Reject).

In above example, you’ll note the histogram on top right and a row of four buttons along the bottom. The buttons from left to right are: Filmstrip, Develop adjustments, Develop Presets, and Crop. I’ve included a screenshot for the Develop adjustments, presets and crop below.

Develop Adjustments

Develop Presets

Crop image

In addition to the features outlined above it’s also possible to import images directly from the iPad Camera Roll. Unfortunately, due to iOS limitations raw is not currently supported. On a more positive note, it’s possible to present your images as a slideshow.

Lightroom mobile also includes support for sharing your work using social media such as Facebook and Twitter.

Disclosure: As an Adobe Community Professional I receive a free subscription to Adobe Creative Cloud.

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Adobe release Lightroom 5.4 and Camera Raw 8.4

Adobe have today released the final versions of Lightroom 5.4 and Camera Raw 8.4. Both have a bunch of  bug fixes, but more importantly they also include new features. I had discussed the new features included in Camera Raw when a preview version was released back on 21 February.

The goal of Lightroom 5.4 is to provide support for Lightroom mobile, which I will discuss separately, additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom.

New Camera Support in Lightroom 5.4

  • Canon EOS 1200D (REBEL T5, KISS X70)
  • Canon PowerShot G1 X Mark II (*)
  • Casio EX-100
  • DJI Phantom
  • Fujifilm X-T1
  • Hasselblad H5D-50c
  • Hasselblad HV
  • Nikon 1 V3 (*)
  • Nikon COOLPIX P340
  • Nikon D3300
  • Nikon D4S
  • Olympus OM-D E-M10 (*)
  • Panasonic LUMIX DMC-ZS40 (DMC-TZ60, DMC-TZ61)
  • Phase One IQ250
  • Samsung NX mini (*)
  • Samsung NX30
  • Sony Alpha a5000 (ILCE-5000)
  • Sony Alpha a6000 (ILCE-6000)

Bugs Corrected in Lightroom 5.4

  • When switching to the Book module with images selected, a ‘Gathering Photos’ message would appear and stay persistent.
  • On Mac Lightroom activity, such as an export, did not prevent the computer from sleeping.
  • In the Develop Module, the ‘Settings > Crop as Shot’ menu item did not properly reset orientation.
  • In the Develop Module and when applying Grain, occasionally vertical artifacts would appear along the bottom edge of a photo.
  • In the Develop Module, there is a slight delay before the Histrogram is available for adjustments.
  • Lens profile corrections for the iPhone 5 would not be selected when using the ‘Auto’ Lens profile correction feature in the Develop module.
  • In the Develop Module, Scrubby Adjustments on Adjustment Brush Pins did not work as expected.
  • Syncing of spot removals was not consistent from image to image.
  • Exporting a scaled image to PSD would sometimes cause the watermark to be displayed incorrectly.
  • When Don’t Enlarge is on in Export, image was not resized, even when making image smaller.
  • Sharpening/Noise Reduction were applied inconsistently depending on crop and export image size.
  • Luminance of exported file differed noticeably after crop.
  • When adding keywords on Import, Import begins at once when keywords entered with ‘enter’ key <Win only>
  • In the Import dialogue, Loupe view occasionally did not work.
  • When using the “Edit in Photoshop” feature in Lightroom, the Smart Object filter mask was sometimes not previewed correctly within Lightroom.
  • When creating a new Collection inside of a Collection set, the default option for Location was the parent of the selected collection set and not the selected collection set.
  • Upload via publish does not prevent computer from sleeping, and upload fails if computer sleeps.
  • When playing a slideshow comprising TIF or JPEG images, occasionally the slideshow would appear pixelated.
  • The color profile of a photo was incorrect when playing slideshow in full screen mode.
  • When using a video export preset, develop settings were not applied to all images.
  • Smart preview indicator under Develop histogram displayed the wrong number when multiple photos were selected.

Download links

Windows download
Mac download 

Camera Raw 8.4

As with other versions of Camera Raw within the 8.x release Photoshop CS6 is supported. However, the new features summarised below are limited to Photoshop CC.

Camera Raw 8.4 is now available as a final release for Photoshop CS6 and Photoshop CC. This release provides new features including new preview controls, red eye correction for pets and updates to Local Corrections. In addition, this release also includes bug fixes, support for new cameras and new lenses.  Camera Raw 8 for Photoshop CS6 only include new camera support, lens profile support, and bug fixes. The new features listed in the release notes are only available in Photoshop CC.

New Features:

Updates to the Preview Controls. The main idea is a simple “Before/After” set of image settings. Details:

  • The Preview checkbox has been replaced by three buttons in the bottom-right of the ACR main dialog. From left to right, they are:
  1. Mode: Click this button to cycle through left/right and top/bottom side-by-side and split view modes. Click-and-hold this button to bring up a popup menu for directly choosing Preview modes and accessing the Preview Preferences. Keyboard shortcut: Press Q to cycle through the Preview modes.
  2. Swap: Click this button to swap Before/After settings. Keyboard shortcut: Press P to swap Before/After settings for the primary selected image only; press Shift-P to swap Before/After settings for all selected images.
  3. Copy: Click this button to copy the After settings to the Before settings. This is useful for establishing a temporary “checkpoint” for your image editing session. Keyboard shortcut: Press Option-P to copy After settings to the Before settings for the primary selected image only. Press Shift-Option-P to copy After settings to the Before settings for all selected images.
  • The After preview image always reflects the current slider and tool settings (White Balance, Exposure, etc.).
  • The standard single-image view always shows the After state.
  • In the side-by-side and split-view modes, the Before settings are always shown on the left or top, and the After settings are always shown on the right or bottom.
  • The Preview Preferences dialog supports customizing the Preview modes used for cycling and some drawing options.
  • When using any tool other than Zoom and Pan (hand) in a side-by-side or split view, changes are only allowed on the After view. Using the Crop tool will put you back into the standard single-image mode.
  • Zooming and panning on one view will automatically zoom and pan the other.
  • Pet Eye correction: The Red Eye tool can now correct bright pupils in animals. Details:
  • Select ‘Pet Eye’ from the new drop down menu in the Red Eye tool to fix pet eyes.
  • Add catchlights to Pet Eye corrections using the ‘Add Catchlight’ checkbox (enabled by default).
  • Reposition catchlights to create a more natural look by dragging within the overlay that surrounds the catchlight.

Changes to Local Corrections:

  • Added a mechanism to quickly reset all local correction sliders (Temperature,
  • Exposure, etc.) to zero: right-click on a local adjustment pin and choose “Reset
  • Local Correction Settings” from the context menu. Another way is to click on a local adjustment pin, and then choose “Reset Local Correction Settings” from the flyout menu.
  • Added “Fill Image” to context menu for Radial Filter. Right-click on a radial filter adjustment pin and choose “Fill Image” from the context menu to resize the radial filter to cover the image area. (Shortcut: double-click inside the ellipse overlay for a radial filter adjustment to accomplish the same task.)
  • Added “Check All” and “Check None” buttons to Synchronize, New Preset, Save
  • Settings, and Copy/Paste (Bridge) dialog boxes. These are shortcuts for checking all/none of the check boxes.
  • Added keyboard shortcut: When using the Crop Tool or Straighten Tool, press the X key to flip the crop aspect ratio (landscape to portrait, portrait to landscape).
  • Added explanatory note to Lens Correction “Profile” panel to indicate when builtin (metadata-based) lens profiles are automatically applied to the image.
  • Added context menu to Histogram pane. The context menu can be used to enable Lab color readouts, even when the Workflow Options are set to another color space (such as Adobe RGB). The context menu and also be used to toggle the shadow, highlight, and gamut clipping warnings.

Disclosure: As an Adobe Community Professional I receive a free subscription to Adobe Creative Cloud.

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