Category Archives: Adobe Photoshop

Color Management in Photoshop CC 2018

 I published my last essay on Color Management in Photoshop a few months after the release of CS6 (V.13) in 2012. So, here we are in April 2018 and Photoshop is now at version 19. Given the passage of time you’d be forgiven for thinking that much would have changed.

However, with the exception of the UI, Color management in Photoshop is largely unchanged. As such, this essay is, for the most part, simply an update of earlier versions rather than a rewrite ->

Photoshop CC 2018 – Print Dialog

 

Camera Raw 9.5 now available

pscc

Camera Raw 9.5 is now available through the update mechanism in Photoshop CC and the Creative Cloud application.

As mentioned in an update to Adobe’s camera support policy here, Camera Raw 9.5 is only available in Photoshop CC or later.  Customers using older versions of Photoshop can utilise the DNG Converter for continued camera support.

The Camera Raw 9.5 interface has also been updated to align with Photoshop CC and Bridge.

Camera Raw 9.5 - UI now mimics colours in Photoshop and Bridge

Camera Raw 9.5 – UI now mimics colours in Photoshop and Bridge

 

You can change your Photoshop or Bridge colour scheme from interface preferences within the host application. The Camera Raw interface colour will then mimic your chosen colour scheme

Bugs Fixed in Camera Raw 9.5

  • Fix crash/hang in Camera Raw and DNG Converter on some Mac systems when saving multiple images.
  • Fix corruption issue that would prevent DNG images originally created by Parrot Bebop Drone devices from being opened after metadata updates.
  • Pressing the Option/Alt key while click-dragging on a perimeter handle of a Radial Filter will adjust only that side of the filter. This change in behavior was made to match Lightroom’s behaviour. Previously, Option/Alt-clicking on a Radial Filter in Camera Raw would delete that filter.
  • Camera Raw Filter now displays the histogram and RGB color readouts using the assigned color space of the corresponding Photoshop document. Previously, Camera Raw Filter always displayed its histogram and RGB color readouts using the ProPhoto color space.
  • Improve quality of Boundary Warp for some panoramas.
  • Fix bug where EXIF metadata for SIGMA 50mm f/1.4 ART lens on Canon was incorrectly identified as Zeiss Milvus 50mm f/1.4.

New Camera Support in Camera Raw 9.5

  • Canon EOS-1D X Mark II
  • Canon EOS 80D
  • Canon EOS 1300D (Rebel T6, Kiss X80)
  • Nikon D5
  • Nikon D500
  • Olympus PEN-F
  • Olympus SH-3
  • Panasonic DMC-CM10
  • Panasonic DMC-GF8
  • Panasonic DMC-ZS100 (DMC-ZS110, DMC-TZ100, DMC-TZ101, DMC-TZ110, DMC-TX1)
  • Samsung NX3300
  • Sony Alpha a6300 (ILCE-6300)
  • Yuneec CGO4

Installation Instructions

Camera Raw 9.5 – Select Help>Updates to use the update mechanism in the Creative Cloud app.

Direct download links: Win | Mac

Note – If you have trouble updating to the latest ACR update via the Creative Cloud application, please refer to the following plugin installation:

http://helpx.adobe.com/x-productkb/multi/camera-raw-plug-in-installer.html

DNG Converter 9.5 download links:  Win | Mac

Disclosure: As an Adobe Community Professional I receive a free subscription to Adobe Creative Cloud.

Celebrating 25 Years of Adobe Photoshop

It’s hard to believe that 25  years ago today that Adobe Photoshop was first released. Photoshop is one of the most recognised software brands in the world with tens of millions of users, and is the go-to application for digital image manipulation across all media: from print, to film, to the Web. Photoshop features — such as Layers, The Healing Brush, Content Aware Fill and Camera Raw — have empowered creatives to produce their best work. Photoshop technology is also at the heart of Adobe Lightroom, essential software for both professional and amateur photographers. And to meet the needs of today’s visual artists, Photoshop and Lightroom mobile apps enable creatives to work on image files seamlessly across desktop computers, tablets and smartphones.

To celebrate the milestone, Adobe is showcasing the most creative visual artists who use Photoshop with Photoshop 25 Under 25. To be considered, artists may upload their projects to Behance and use the tag “Ps25Under25.”  In the coming months, those selected will present their work over the Photoshop Instagram handle (@Photoshop) for two weeks.  

Adobe company is today launching an advertising campaign, “Dream On”, for The Academy Awards — as a tribute to 25 years of amazing art created in Photoshop. The TV commercial includes incredible work from Photoshop artists and iconic images from major motion pictures that used Photoshop in the making, including Avatar, Gone Girl, How to Train Your Dragon 2 and Shrek.

How It All Began

In 1987, Thomas Knoll developed a pixel imaging program called Display. It was a simple program to showcase grayscale images on a black-and-white monitor. However, after collaborating with his brother, John Knoll, the two began adding features that made it possible to process digital image files. The program eventually caught the attention of industry influencers, and in 1989, Adobe made the decision to license the software, naming it Photoshop and shipping the first version in 1990.

“Adobe thought we’d sell about 500 copies of Photoshop a month,” said Thomas Knoll, Adobe Fellow and Photoshop co-creator.  “Not in my wildest dreams did we think creatives would embrace the product in the numbers and ways they have. It’s inspiring to see the beautiful images our customers create, the careers Photoshop has launched and the new uses people all over the world find for Photoshop every day.”

 

New Mexico & Arizona Highlights 2014

photoventuresEarly December saw me travelling to the USA for the second time in 2014. The primary purpose of the visit was photograph White Sands National Monument and Bosque del Apache. However, as has been the case on past visits we spent the first  three days travelling along Route 66 between Albuquerque (New Mexico) and Holbrook (Arizona). The trip was organised by Roger Reynolds at Photoventures.net who has travelled to these locations on many previous occasions and knows the area very well. The route map as recorded on my trusty Garmin eTrex Vista GPS device is shown below.

The weather conditions varied quite a bit, which made some of the locations a lot more photogenic than was the case when I made a similar trip in late December 2010. This was especially the case when we visited the Petrified Forest National Park near Holbrook. It had been raining heavily just prior to our arrival.

Kachina Point, Painted Desert

Kachina Point, Painted Desert

After the Rain, The Tepees, Petrified Forest National Park

From Holbrook we travelled across to Bosque del Apache. Along the way we stopped to photograph the Very Large Array near Socorro. Again, it had been raining just prior to our arrival.

Truck in the Rain, Plains of San Augustin

Radio Telescope, Very Large Array, Plains of San Augustin

We spent four very productive days at Bosque del Apache. As always there were plenty of Sandhill Cranes and Snow Geese, but two my favourite photographs from this part of the trip are shown below.

Red-tailed Hawk, Bosque del Apache

Sandhill Cranes and Moon, Bosque del Apache

More photographs from the trip can be seen the gallery.

All photos were taken on Canon EOS 5D MkIII or Canon EOS 7D MkII. Post processing was carried out in Adobe Lightroom and Photoshop CC 2014.